“Doudou” derived from the French means “sweet” and can also refer to…
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46
46 (They wouldn’t listen to Diane), 27.05 mins Artists, Lorna Hamilton-Brown and…
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Jumbie Family, 2023
Trinity Buoys Wharf Drawing Prize 2023 selection. In this series I draw…
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Jab Jumbie, 2023
Jab Jumbie, 2023 (graphite on paper) commissioned for the We Out Here…
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Holding us Up, 2023
“Holding Space” curated by Hospital Rooms and presented at Hauser & Wirth,…
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Conversations Over Tea, Performance, 03/06/23
Conversations Over Tea,(performance), June 3, 2023. (55.33.07mins) Hastings Contemporary. Artists Richard Mark…
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Yet Another Horizon, Portals of Possibilities, 2023
Springfield Hospital, Shaftsbury seclusion rooms In the Spring of 2023 I ran…
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A Complex Triangle Indeed, 2022
This work created for the World Reimagined Project’s Leicester Art trail, can…
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Like a Rope, 2019-20
Like A Rope (detail) 2019-20 Graphite, Indian ink and Acrylic on paper…
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Another Horizon, 2021
Completed in August 2021, Another Horizon at Titian Ward in Tooting, was…
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Conversations Over Tea, 2020 – Ongoing
My ‘inward’ state of being dictates recognition of being Trinidadian, black within…
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PUBLIC INTERVENTIONS, 2020
I am invisible understand, simply because people refuse to see me.- Ralph…
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I AM SUGAR, 2018
I AM SUGAR (2018), a series of digital photographs responding to Stuart…
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ISLAND STATE OF MINE, 2018
This is our collective Caribbean reality,- trying to keep our head above…
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EXHIBITION: OVERPR!NT AG!TATE ACT!VATE BELGIUM 2018
Curated by Jean Pierre Muller. Editions as seditions, prints as means of…
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A MICROAGGRESSIVE TEXT
In my first term of RCA I noted a series of interactions…
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MOST THINGS HAPPEN WHEN I AM ASLEEP NZ
I had four works on show in this exhibition. #adresstothenation #tommorow #fullstop…
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A Dress to the Nation, 2017
Click here for the Short Film A DRESS TO THE NATION, 2017.…
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RECONQUÊTE DE TINTIN, 2018
RECONQUÊTE DE TINTIN, 2018, Granderson Lab, Belmont, Port of Spain, Trinidad and…
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Resting on our Laurels, Version 1
Resting on our Laurels, Version 1, OUT OF PLACE, ACTION #5 12 Prince…
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Polite Line Do Not Cross, 2017
Our national collective memory is short. We never stop to take stock…
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The General Public 2015
On the eve of Trinidad and Tobago’s general election, artist Richard Mark…
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TOOFPRINTS
toofprints is a side project exploring contemporary graphic design in a public…
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FINDING BLACK, 2014 – 2015 INSTALL VIEWS
Click here to see details. http://www.richardmarkrawlins.com/046-finding-black/ Scroll to view more images Culture, according…
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046 FINDING BLACK
Culture, according to Stuart Hall is a site of ‘negotiation’. In Finding…
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HERE IS NOT A HAPPY PLACE, 2016-2018
Subversions camouflaged by a normative form, a normative process of art production,…
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#didyuhhearyuhself 2014
< scroll Inspired by a recent series of political soundbites, reportage and…
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WHO WAS THAT MASKED MAN ANYWAY? 2014
< scroll for more images WHY ALL THE BLACK AND FORTH? (2014)from…
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THE ARTIST STATEMENT, 2013
The democratic “STEUPS”…the often go to dismissive response from those that would…
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Visual Cues, 2013
A series of works made during a rather pedestrian period in Port…
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STEUPPS 2013…an essay.
“We are all mimic men” – V.S.Naipaul ~ “A man who has…
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PRIMARY PROPERTY, 2012
Primary Property 2013. This series of works explored the artist’s continuing fascination…
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CHINESE WORKER 2010
Artist Statement
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BUTTON PROJECT 2010
This was possibly the last Friday that my friend, a confessed and…
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SPEAK UP! 2007
<scroll for more images Silence is sound. Apathy is the noise of…
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